JENI MAHONEY
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Press Links

  • Review of MERCY FALLS by Michael C. Moore of Kitsap Theatre Artists
  • Preview article for MERCY FALLS in the Kitsap Sun.
  • Listen to Jeni on  BOISE PUBLIC RADIO's Idaho Matters
  • The Durango Telegraph calls the Durango Play Festival "Kinda a Big Deal" 
  • Artfuse names SORRY ASS BLOCK PARTY, co-written with Cynthia Arsenault, as one of it's favorites in Fresh Ink's Mad Dash.
  • Talking about playwriting with Sheila Bender, host of "In Conversation" on KPTZ Radio, Port Townsend, Washington
  • Northeastern Sprints to the Finishline at the Boston Theater Marathon with Chuck Roast Toast
  • Voices of BTM interview (Boston Theater Marathon)​
  • Scatter named one of the top 13 plays in the 2015 Boston Theater Marathon
  • ​Things Other Than Writing, an interview with Kara Lee Corthron
  • Featured photo on the American Theatre Website
  • Idaho Statesman Review of Fata Morgana
  • Boise Weekly Review of Fata Morgana
  • Broadwayworld.com, NEA Award Announcement
  • The Horton Lens, Howlround: A Journal of the Theater Commons
  • The Feminine Mystique, 50 Years Later, Interview with Michael Doyle of Project Y
  • People Who Make it Happen, An interview with NY Madness
  • The Writing Life x3, An interview with fellow playwright Patrick Gabridge
  • The Dramatists Magazine, An interview with Gary Garrison
  • About Development, An interview with Jacob Coakley
  • The Devils in the Details, by Molly Shaver in Idaho Arts Quarterly
  • Idaho Statesman: Seven Devils Nurtures Playwrights
" Mahoney plays with reality in the same way with a string of deftly crafted domestic scenes — little pearls of relatively normal family dysfunction — that increase in intensity until they drop you into an ending of Medea-like proportions. This is a stellar first production of an exceptional play that deserves multiple future productions. It will be interesting to follow Mahoney’s and the play’s journey from here. "   - Dana Oland, The Idaho Statesman
"It’s good writing to open a play with intimately drawn characters. In close quarters, drama is more personal and immediate—it creates conditions ripe for introducing information that casts preceding actions in a new and unexpected light, creating a sense of vertigo. Fata Morgana, the latest production by Boise Contemporary Theater, uses this vertigo to reveal a compelling vision of psychological terror... Fata Morgana packs a wallop. It’s clever overall, funny in parts and inventive in ways that will draw audiences in. Be warned, though: It isn’t for the faint of heart. "  - Harrison Barry (Boise Weekly) ​
"Intellectually arresting and darkly comic… a thoroughly engrossing and provocative evening of theatre. Not to be missed."  - David Marlowe (Colorado Out Front)
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Jeni Mahoney
Playwright, Director, Teacher
New Play Development Geek
​jenidog@gmail.com

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